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MOVIE VIEWS ARCHIVES:

You'll find all our movie reviews since January 2000 plus our "Thumbs Up" video reviews in Movie Views Archives. Titles are grouped alphabetically. There is a link to our Archives at the top of this column.

THE SAVAGES
12.31.07 (5:08 pm)   [edit]

Writer/Director Tamara Jenkins must be commended for her intelligent writing and equally intelligent independent film. It is a story that could easily have been turned into a Hallmark Card, but it is not only smart, funny, and touching, but also painfully realistic. Philip Seymour Hoffman has always been fun to watch on screen, but this year has been especially kind to him. In addition to this film he opened in The Devil Knows You’re Dead, and Charlie Wilson’s War. His on screen excellence is matched by the always wonderful Laura Linney. Together, I think they are the most natural actors in Hollywood. They play brother and sister who are thrust into the reality of caring for a parent who never really cared for them and can no longer function in a retirement community. The aging father is admirably played by Philip Bosco, a gifted character actor you will recognize on screen even though you may not remember his name. The title of the film refers to the family name, though it was, no doubt, chosen for it’s other meanings as well. The film focuses on the middle aged children facing their demons. Author/director Jenkins calls it a "coming of middle age" story. Hints of childhood abuse are never overplayed and though the material can be sad and touching, Jenkins is a master at finding the humor. I liked this movie a lot, but Barbara liked it even more. GRADE A/A- LaughingLaughingLaughingLaughing

 
SWEENEY TODD: The Demon Barber of Fleet Street
12.31.07 (5:07 pm)   [edit]

Tim Burton has already demonstrated his interest in the unusual and macabre, so he was the perfect choice to film this dark tale of the Demon Barber’s revenge against those who wronged him. In his filmed version of the Broadway play, Burton paints a dark canvas, making the Dickensian streets of London look exceedingly dismal. The only bright color in the film is the blood—and oh, there is a lot of blood. Don’t see this if the sight of blood disturbs you. In a nod to the Coen Brother’s famous wood-chipper scene in Fargo, Burton even shows us Mr. Lovett’s mincer as it churns out the main ingredient in her meat pies. A sight we were spared in the stage version. Johnny Depp is outstanding as Sweeney Todd. Of course his acting is brilliant—with Depp that’s a given—but who knew that he could also sing? And Burton’s wife, Helena Bonham Carter is equally marvelous as Mrs. Lovett, the maker of the "worst pies in London." Both Carter and Depp received Golden Globe nominations. Alan Rickman’s Judge Turpin is sufficiently malevolent to warrant his fate, and Timothy Spall, playing the Judge’s partner in wickedness, Beadle Bamford, is wonderfully disgusting. What little humor there is in the story comes primarily in the lyrics, and with the cockney accents, you may find some of them a bit difficult to understand. (For this reason, Gary gave the film a grade of B.) But, if you’re a fan of the musical, and an admirer of Johnny Depp, by all means give Sweeney Todd a look. I give it an enthusiastic B+. GRADE B+/BLaughingLaughingLaughing

 
CHARLIE WILSON'S WAR
12.31.07 (5:05 pm)   [edit]

This film is a double delight: you learn something while being entertained. Based on the true story of U.S. Congressman Wilson whose position on three key committees allowed him to arm the Afghanistan Mujahedin and help them triumph over the Russian invaders. It was a win-win situation at the time—we helped end the Cold War by helping Afghanistan overthrow our mutual enemy. Only in the light of current events, do we understand the consequences of that covert war. But, as I said, you will be entertained, especially by the performances of Hanks as Wilson and Philip Seymour Hoffman as Gust, an unlikely C.I.A. agent. They are both splendid. Julia Roberts takes the part of Joanne Herring the real-life socialite who joined Wilson in the scheme to defeat the Communists. Roberts looks great. Amy Adams proves that she is just as good playing a real girl as she was playing a Princess in Enchanted. But the real star of the film is the crackling smart dialogue of Aaron Sorkin. It’s like watching the best of The West Wing and really made me miss those first few years of that terrific TV show. Did I mention that it’s also quite amusing? Knowledge, amusement and Oscar-worthy performances all rolled up into one film. Gary says A– and I agree. GRADE A-LaughingLaughingLaughingLaughing

 
12.08.07 (2:18 pm)   [edit]

 
THINGS WE LOST IN THE FIRE
12.08.07 (2:14 pm)   [edit]

Benicio Del Toro had been acting in films for ten years before we noticed him in Traffic (2000). Since that appearance both Barbara and I have been impressed, if not blown away, by his performances. This film is no exception. He is totally believable as a heroin addict struggling to get his life together. In the female lead is Halle Berry playing a grieving widow with two children trying to cope with an incomprehensible tragedy. After her Academy Award-winning performance in Monster’s Ball, Berry has made some mediocre films, but here she is back to her Oscar form. We have seen many films that focus of the grief that follows a loved one’s death, but rarely has the grieving felt as real and heart-breaking as it does in this film. The two young actors who play Berry’s daughter and son were especially good. This is a compelling drama about people in crisis and has been ably directed by European filmmaker Susanne Bier. I don’t think this film will receive the attention deserves at the box office, but we recommend it with a grade of A. GRADE ASmileSmileSmileSmile

 
BEFORE THE DEVIL KNOWS YOU'RE DEAD
12.08.07 (2:12 pm)   [edit]

Were I to write a one word review of this film it would be, "WOW!" Eighty-three year old legendary director Sidney Lumet summons his genius and film mastery to give us what I think is a nearly flawless film. If you were as old as Barbara and I you would remember the power of his Twelve Angry Men (1957), Serpico (1973), and Dog Day Afternoon (1975). I like "thrillers," but they are usually filled with unlikely incidents that strain credulity. Not once in this film did I have to suspend disbelief. Superb directing and believable characters portrayed by a brilliant cast combine to bring us a tight story of two brothers who try to relieve some of their financial woes with a crime that goes horribly wrong. The cast includes Philip Seymour Hoffman, Ethan Hawke, Albert Finney, and Marisa Tomei. In less talented hands a non-linear story line can be confusing, but here it serves to clarify and enhance the drama. It is hard to predict so far in advance, but I believe this film deserves several academy award nominations. The Irish among you will recognize that the title of the film comes from an old Irish Toast: "May your glass be ever full. . .And may you be in heaven half an hour before the devil knows you’re dead." GRADE ASmileSmileSmileSmile

 
AN AMERICAN GANGSTER
12.08.07 (2:10 pm)   [edit]

This film was a disappointment for us. We expected a well-acted compelling story. It was well-acted, but it was deficient in the compelling department. The story, based on truth, never really grabbed me, and there were times during the 2 hour and 37 minutes running time when my mind wandered. The film tells the story of Frank Lucas (Denzell Washington) a heroin kingpin from Manhattan, who is smuggling the drug into the country in the coffins of soldiers returning from the Vietnam War. At the same time, it tells the story of Richie Roberts (Russell Crowe), a cop who is a pariah on the force because he once turned in a million unmarked dollars that he found in the trunk of a car. This was at a time when three-quarters of the Drug Enforcement Agency was on the take. His fellow officers didn’t trust him because he was too honest. Frank Lucas also has a strong moral code. While he doesn’t stop short of murder, he always behaves like a gentleman. And he is good to his family. Denzell Washington is very effective as Lucas, and he is the main reason to see the film. Crowe’s character was less interesting, and while I realize director Ridley Scott wanted to compare and contrast the two men on opposite sides of the law, I got bored with the cop’s story. I think it would have been a better movie if it had been cut by at least 30 minutes. Chiwetal Ejiofor, so good in Dirty Pretty Things, plays one of Lucas’s brothers, and Josh Brolin has great fun playing a corrupt cop. We particularly enjoyed seeing Ruby Dee as Lucas’s mother. There are some intense moments, but not enough of them to make this the great film that we expected. GRADE BSmileSmileSmile

 

Here are selected reviews from various issues of Movie Views.

We publish a new issue every month on our Movie Views Website. Movie Views has both film and video reviews plus a Readers' Views section. (There is a link to our website at the top of the left column.)

ABOUT US:
We have loved the movies ever since we were kids and we see about 100 movies a year. (We tend to avoid "slasher film" and any film with "Dude" in the title.)

ABOUT OUR GRADING SYSTEM:
Since we are both former teachers, we use the classic A, B, C style of grading. Our grade is based on our enjoyment of and emotional reaction to the film.

We also consider the quality of the filmmaking and acting. We keep our reviews brief and to-the-point and we never give away any of a film's surprises.

Barbara and Gary